Posts tagged ‘entertainment’
August 11, 2013
“I never really thought of myself as a sex goddess,” said the glamorously beautiful Rita Hayworth, as quoted in Hollywood or Bust: Movie Stars Dish on Following their Dreams, Making it Big, and Surviving in Tinseltown, “I felt I was more a comedian who could dance.” And dance she did.
Hayworth performed an erotic Dance of the Seven Veils in Salome (1953), a mesmerizing strip-tease, taking off only her over-the-elbow length black satin evening gloves to “Put the Blame on Mame,” in Gilda (1946), and an equally captivating nightclub act in An Affair in Trinidad (1952).
While some of Hayworth’s well-known handsome leading men included Orson Welles, whom was her second husband, Glenn Ford, who appeared with her in five movies, Cary Grant, Victor Mature, Tyrone Power, Robert Mitchum, and the list goes on, her dancing partners were among Hollywood’s biggest and best musical talents.
She co-starred with Fred Astaire in You’ll Never Get Rich (1941) and You Were Never Lovelier (1942). She kicked up her heels with newcomer Gene Kelly in Cover Girl (1944) and later took a turn around the dance floor with Frank Sinatra in Pal Joey (1957).
But Rita never danced to the Bee Gees – until now: http://www.youtube.com/watch?v=mz3CPzdCDws
Eat your heart out, John Travolta.
© 2013 Susan Marg – All Rights Reserved
July 31, 2013
Hear Ye Hear Ye:
Talking About the Stars
Yesterday afternoon I had the pleasure of chatting with Betty Jo Tucker, movie critic extraordinaire and the editor/lead critic of ReelTalk Movie Reviews, and her co-host James Colt Harrison, also an author of thousands of reviews and articles about Hollywood, on Betty Jo’s radio program “Movie Addict Headquarters.”
My book Hollywood or Bust was the central point of our conversation, and I was peppered with lots of questions. Where did the idea come from? What was the biggest challenge in writing the book? How did you decide on the themes in the book? What are your favorite quotes in the book?
Oh, there are so many. I like the first quote in the book from Hilary Swank: “I’m just a girl from a trailer park who had a dream.” I think that sets the tone of the book because Hollywood and the movies, even life itself, are all about dreams.
On the loss of privacy that comes with fame, I like Jennifer Aniston’s quote: “When someone follows you all the way to the shop and watches you buy a roll of toilet paper, you know your life has changed.” The lesson here is to be careful for what you wish.
Betty Jo had her favorite quotes, too. She pointed out how touched she was by Charlie Chaplin saying, “I was loved by crowds, but I didn’t have a single close friend. I felt like the loneliest man alive,” and she played a few minutes of music Chaplin composed for Modern Times. Afterwards she noted, “There he is making everyone else laugh, but he had such feeling.” And, then we moved on to more amusing topics.
James shared a story relating a chance meeting between Clark Gable and William Faulkner on the MGM lot where they were both working in the 1930s. Clark Gable knew who William Faulkner was, but Faulkner couldn’t return the compliment. Ah, writers. What would the movies be without them?
As screenwriter Joe Eszterhas has noted: “Screenplays are a bitch to write. One man wrote War and Peace. Thirty-five screenwriters wrote The Flintstones.” Ah, Hollywood.
If you want to hear more, here’s the link for your listening pleasure:
July 4, 2013
Reviewed by Gayle Colopy for Bookpleasures.com on July 2, 2013
By Susan Marg
Publisher: Cowgirl Jane Press
Hollywood Or Bust is a collection of celebrity quotes from actors, producers and other notables in the film industry. The quotes are grouped in chapters loosely based around the quest for recognition and fame, the up and downsides of having achieved it (or not), and the inevitable downhill slide once the public has moved on to newer, fresher flavors of celebrity. The book covers a wide time span, with quotes from studio heads of the “Golden Age” of motion pictures to contemporary luminaries like Lindsay Lohan and Quentin Tarantino.
The path to stardom begins with a vision. (Hilary Swank: “I’m just a girl from a trailer park who had a dream.” Each has their own definition of what stardom means. (Harrison Ford: “Stars are people who sell a lot of popcorn.”) There are ruminations on the effects of stardom. (Clint Eastwood: “It’s like waking up with a hooker – how the hell did I get here?” Robert Mitchum: “I’ve still got the same attitude I had when I started. I haven’t changed anything but my underwear.”)
There is a price to be paid for success. (Bette Midler: “The worst part of success if to try to find someone who is happy for you.”) Artistic ambitions may take a back seat to other considerations. (Charlton Heston: “The trouble with movies as a business is that they’re an art; the trouble with movies as an art is that they’re a business.” Michael Caine: “You get paid the same for a bad film as you do for a good one.”) Disillusionment may set in. (William Faulkner: Hollywood is a place where a man can get stabbed in the back while climbing a ladder.” Marilyn Monroe: “Hollywood is a place where they’ll pay you a thousand dollars for a kiss and fifty cents for your soul.”
Eventually, there is a fall from grace. (Michael Medevoy, producer: “This is a business that eats its elders instead of its young.” Joan Collins: “The problem with beauty is that it’s like being born rich and getting poorer.”) The stars may come and go, but that entity known as Hollywood lives forever, a force unto itself. (Michelangelo Antonioni: “Hollywood is like being nowhere and talking to nobody about nothing.”
The collection is a slim, breezy read, something one could knock off during a long waiting room visit or a very short flight. Like junk food, there’s not much nutritional value here, but for those with an interest in stars talking about stardom, Hollywood Or Bust may prove to be irresistible.
The reviewer Gayle Colopy: Gayle is a semi-retired veteran of various governmental, non-profit and commercial enterprises, and is now a freelance writer based in northern California. His literary preferences are Beat-era American literature, classic erotica, and fiction writers who blossomed in the Sixties, including Joseph Heller, Donald Barthelme, Ken Kesey, Kurt Vonnegut, William S. Burroughs, Terry Southern, and Hunter S. Thompson.